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“I think that is the reason I get so passionate about the instrument,” she says. The gaita’s stark, commanding sound is an odd fit for jazz, but Pato says she’s been able to use that contrast to her advantage. … It’s probably one of the oldest instruments in history.” “But, you know, bagpipes, they are all around the world, and they are all related to the people where they are from. La interfaz de usuario de una sola ventana de Studio One. Por la misma razn recurr a un estilo que est ms cerca del de la clase ms solemne. En una obra de este tipo, es esencial dar la impresin de una textura no ms delgada que la de una parte escrita para ambas manos. Contiene muchos efectos del jazz y la escritura no es tan liviana. “I think right now in Galicia, there are more bagpipe players than soccer players, which is a very big statement to say,” Pato says. El Concierto para la Mano Izquierda es muy diferente.
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Pato has been playing the traditional gaita (pronounced “GY-tah”), a version of the bagpipe from her native region of Galicia, since she was 4 years old.
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But on her new album, Migrations, there’s a striking sound not often heard in jazz: a bagpipe. Pato’s playing and singing, as well as why she belongs in a jazz club as much as anywhere else.”Ī Bagpipe-Slinging Spaniard Finds A Home In New York JazzĬristina Pato is a jazz pianist from Spain who also plays flute and sings. INTRODUCCION Am / F / D / E7 / Am / Am / Am Am E E Llámame, cuando tengas que sentir mi cariño A cuando te duela el corazón Dm cuando se cruzen por tus ojos los míos G cuando escuches mi canción F C/E C cuando no puedas encontrar tu camino D7/F llámame y veras B Em G7/D que soy la voz que se transforma en mujer Dm. Tuesday’s show marks the release of her new album, “Migrations,” which, on tracks like Bill Evans’s “Blue in Green” and Antonio Carlos Jobim’s “Dindi,” demonstrates the transmutability of Ms. Pato extracts from this device (though it often looks like she’s wrestling an octopus) is more a cross between a soprano saxophone and an accordion. So where else would she appear in New York but Jazz Standard? The gaita is sometimes described as the Galician equivalent of the bagpipes, yet the sound Ms. “The 32-year-old Spanish virtuoso makes unique music on an uncommon instrument: She’s one of the major living masters of the gaita (though she also plays piano and flute, and sings), and her performances feature elements of world and folk music, pop, classical (often in the company of Yo Yo Ma) and even choreography.
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